The Louvre: A Short History

The Louvre or the Louvre Museum is the world’s largest museum and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the city’s 1st arrondissement. Nearly 35,000 objects from prehistory to the 21st century are exhibited over an area of 652,300 square feet. The Louvre is the world’s second most visited museum after the Palace Museum in China, receiving more than 9.26 million visitors in 2014.

The museum is housed in the Louvre Palace, originally built as a fortress in the late 12th century under Philip II. Remnants of the fortress are visible in the basement of the museum. Due to the urban expansion of the city, the fortress eventually lost its defensive function and, in 1546, was converted by Francis I of France into the main residence of the French Kings. The building was extended many times to form the present Louvre Palace. In 1682, Louis XIV chose the Palace of Versailles for his household, leaving the Louvre primarily as a place to display the royal collection, including, from 1692, a collection of ancient Greek and Roman sculpture. In 1692, the building was occupied by the Académie des Inscriptions et Belles Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years. During the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nation’s masterpieces.

The museum opened on 10 August 1793 with an exhibition of 537 paintings, the majority of the works being royal and confiscated church property. Because of structural problems with the building, the museum was closed in 1796 until 1801. The collection was increased under Napoleon and the museum renamed the Musée Napoléon, but after Napoleon’s abdication many works seized by his armies were returned to their original owners. The collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic. The collection is divided among eight curatorial departments: Egyptian Antiquities; Near Eastern Antiquities; Greek, Etruscan and Roman Antiquities; Islamic Art; Sculpture; Decorative Arts; Paintings; Prints and Drawings.

Cluny Museum: The Lady and the Unicorn Tapestries

Touch, taste, smell, hearing and sight. These six tapestries, woven in around 1500, represent the five senses against a detailed red background.

The remaining sixth sense, explained only by the inscription “À mon seul désir” (To my only desire), has inspired countless theories. Without excluding a possible meaning in the register of courtly love, it could be a reference to free will: the woman with her decorative headdress and refined clothing, renouncing temporal pleasures.

These “millefleurs” (“thousand flowers”) tapestries are characterized by an abundance of flora, including flowers, orange trees, pines, hollies and oaks, and are inhabited by a peaceable bestiary (a monkey, dogs, rabbits and a heron).  In this idyllic natural setting conducive to contemplation, the unicorn by turns a participant and a simple spectator. Accompanied by a lion, it sports the coat of arms of the Le Viste family in every scene.

The Lady and the Unicorn wall-hanging was acquired in 1882. It is now considered one of the great masterpieces of Western art.