Undines, sometimes spelled Ondine, are a water nymph who becomes human when she falls in love with a mortal man. If he is unfaithful, her death is inevitable.
Derived from the Latin word unda, which means wave or water.
Undines were first discussed by Paracelsus (circa 1493 – 1541). They are believed to be connected to Greek mythology figures known as Nereids, who were portrayed as young women who lived in any body of water and were kind to humans.
A story of an Undine tells of how, in a fishing village, a human couple had lost their own child but shortly after found a baby left at their door. They took her in as their own, and she grew to a most beautiful young woman with pearly skin and green eyes, both loving and fickle in her nature.
Hildebrand saw and fell in love with her and took her as his wife. But he betrayed her with another named Bertalda. With this breaking of the vow, Undine was reclaimed by her Merfolk and vanished back to the sea.
However, on the eve of his wedding to Bertalda, Hildebrand went to the well in the courtyard and there he saw Undine. She embraced him and took his soul with her to the waters, leaving his body by the well.
Carol Rose – Spirits, Fairies, Gnomes, and Goblins
One distinctive feature of Fairy is the flow of time; in most cases time in Fairy seems to move at a different pace than on Earth. We may see a single night go by in Fairy while years pass on Earth, or in one anecdote years passed for a man in Fairy while only minutes passed here. We see a variety of stories where a person joins a fairy dance for what they believe is only a single night only to find at dawn that years, decades, or even a century has passed while they danced.
In the tale of King Herla a single night of feasting in Fairy occurs while 200 years pass on mortal Earth. There is no clear predictable pattern to this, however, and the fairies themselves seem exempt from the disjointed temporal effect, as they often and regularly cross between the two worlds, even maintaining friendships with mortals over the length of the person’s lifetime, without difficulty. The same is obviously not true for mortals, or at least not without fairy aid, as we see many mortals doomed by their time in Fairy because they return to a world that is utterly changed from the one they left by nothing more esoteric than the passage of time.
A Fairy Path or Fairy Road is the route by which the fairies regularly travel between any two locations. These paths can be found in many places and are invisible to anyone without the Second Sight, unless they happen to catch the Fairy folk unaware. Fairy Paths are often said to stretch between known fairy hills or locations but may also be found in more obscure locations.
It is considered very bad luck to build on a fairy path and those who do so always suffer for it one way or another. In the most benign cases the building will suffer from disturbances, often at night, as the fairies pass through the building following their accustomed route. As one source says:
When the house happens to have been built in a fairy track, the doors on the front and back, or the windows if they are in the line of the track, cannot be kept closed at night, for the fairies must march through.
In other instances attempts at building would be destroyed as soon as they were begun by being knocked down and a noted method of testing for a fairy path by those who “could not see them was to put up posts where the building was meant to go and see if they remained standing the next day. In extreme cases the person attempting to build might be killed or suffer extreme misfortune.
The Welsh Tylwyth Teg (“Fair Family”) have fairy paths as the Irish and Scottish fairies do, although their reputation is more dangerous. As one anecdotal source says:
“…the Tylwyth Teg have paths (precisely like those reserved for the Irish good people or for the Breton dead), and that it is death to a mortal while walking in one of these paths to meet the Tylwyth Teg.”
The fairies were known to move their homes at certain times of year, notably on the quarter days, and when they did so they would travel along these fairy paths to get from one hill to another. At any time of year, however, a Fairy Path could be perilous.
Glamour is an archaic word for the magic of the Fae. Glamour can make curious onlookers see what they wish that person to see or not see what they do not wish that person to see with this ability. It can also hide the true whereabouts of a faery, so one could say it’s a survival skill in addition to being magical. So, when someones says, “Looks can be deceiving.” You may want to make a important mental note of that.
Glamour is a Fae-wide ability, how the ability is used is up to the individual. However in most cases, Fae use the ability to modify their appearance with glamour i.e. eye color, hair color, and shapeshifting to appear as animals or other creatures. Even so, please do not think that every faery is wearing nothing but glamour to hide their hideous faces and bodies. Simply not true. Plenty of fae are naturally ravishing people, and there are plenty of fae who are much less attractive.
Faerie glamour, than any other means of alteration is being-specific. Some people wonder about if glamour is more of an hypnosis effect. Well no, that’s not something tied to glamour specifically. When using glamour no one is really being hypnotized to the point where the person can’t look away, because the person most certainly can. It more eye-trickery and confusion than anything. It’s to hinder the person from seeing what is true. Fae really do not put on that much glamour as people would like to think. So, think about that before you can look right through the disguise and paint us ugly or all beautiful.