St. George’s Monastery (West Bank, Palestine)

St. George’s Monastery (West Bank, Palestine)

Clinging to a cliff on the edge of the Wadi Qelt gorge is a Greek Orthodox monastery that’s endured many centuries of turmoil and destruction.

The original monastery was founded in the 5th century by a group of cave-dwelling hermits. They chose the site because it was located next to the cave where the prophet Elijah is said to have been fed by ravens during the 9th century BCE.

A Persian invasion in the 7th century drove out the hermits and left the monastery in ruins. Around 500 years later, Crusaders rebuilt St. George’s, only to be driven from the site following the Islamic re-conquest of Jerusalem.

The late 19th century saw St. George’s restored once again. The monastery is now home to two churches, a small group of Greek Orthodox monks, and the tombs of the five hermits who got the whole thing started.

A 15-minute drive from St. George’s is the Mount of Temptation—so named because, according to the Bible, it is the place where Jesus was tempted by the devil. This mountain has its own cliffside monastery, established in the 6th century, which has only a single permanent resident. There is also a nearby collection of hermit caves—some of which are said to still occasionally be inhabited by ascetic monks.

Source: Atlas Obscura

The Plagues: Evidence or No Evidence

Date: 13th century BCE

Discovered: Saqqara, Egypt

Period: Exodus

Torah Passage: Exodus 7:14–12:36

I will strike the water that is in the Nile with the staff that is in my hand, and it will be turned to blood…and the blood was through all the land of Egypt (Exodus 7:17,21).

An ancient Egyptian text, written by a man named Ipuwer and referred to as the Admonitions of an Egyptian Sage, was a poetic lamentation addressed to the “All Lord,” who is typically understood to be the sun god Ra. The poem describes a time in which the natural order in Egypt was severely disrupted by death, destruction, and plagues.

The only surviving copy of the papyrus dates to the 13th century BCE, perhaps as early as 1300 BCE. While most scholars suggest it was originally written in the Second Intermediate Period due to content, the linguistics of the text and the date of the copy indicate that it was composed during the 18th Dynasty around the 16th–14th centuries BCE.

The name Ipuwer is also know from inscriptions of the 18th Dynasty, and in particular one from the time of Hatshepsut and Thutmose III just prior to the Exodus. Any historical events mentioned in the text must have occurred prior to the 13th century BCE and possibly in the 18th Dynasty. If the Admonitions describes events similar to the plagues recorded in Exodus, and the Egyptian account was composed in the same general time period as the events of the Exodus, then it is plausible that the two documents contain independent accounts of the identical episode in history but from different perspectives.

Passages in the poem, such as the river being blood, blood everywhere, plague and pestilence throughout the land, the grain being destroyed, disease causing physical disfigurement, the prevalence of death, mourning throughout the land, rebellion against Ra the sun god, the death of children, the authority of the pharaoh being lost, the gods of Egypt being ineffective and losing a battle, and jewelry now being in the possession of the slaves, are all occurrences in common with the Exodus story.

Thematic and even linguistic links between the Admonitions and the plagues of Exodus have been recognized by scholars, but typically these connections are discounted on the presupposition that neither the book of Exodus nor the Admonitions of Ipuwer describe historical events, and that even if they did, the two texts would be too far separated in time from one another.

However, since the chronology may overlap, and the match in specificity of many of the events suggests the possibility that the documents are describing the same general events and period of hardship in Egypt, the Admonitions could be an Egyptian remembrance and near contemporary account of the time of the Exodus plagues.

Sources: Essential Judaism, Unearthing the Bible, myjewishlearning.com, Chabad.org.

Eggplant Casserole for Passover

1 large onion

3 Tablespoons oil

1 medium eggplant, peeled and then cut into cubes or thin slices

1/4 cup diced green pepper

11 oz tomato-mushroom sauce (or any jarred Kosher for Passover sauce you want)

1 teaspoon salt

1/2 teaspoon pepper

2 large tomatoes, diced

1 1/2 cups matzah farfel *

Saute onions in oil until tender. Combine onions, eggplant, green pepper, tomato-mushroom sauce, and seasoning. Cook, covered, for 15 min or until eggplant is tender. Stir in tomatoes. Alternately layer vegetable mixture and farfel, beginning and ending with the vegetable mixture in a 2 quart baking dish (9 x 13 size).

Bake at 350 uncovered for 25 min.

* Farfel is small pellet- or flake-shaped pasta used in Ashkenazi Jewish cuisine. It is made from an egg noodle dough and is frequently toasted before being cooked. It can be served in soups or as a side dish. In the United States, it can also be found pre-packaged as egg barley.

Matzah farfel is simply matzah broken into small pieces. The Baal Shem Tov, founder of the Hasidic movement, ate farfel every Friday night because the word was similar to the word farfaln which means “wiped out, over and finished”.

Emile Zola

On this date in 1840, Emile Zola was born in Paris. The novelist pioneered naturalistic writing, believing ugly problems could not be solved as long as they stayed hidden. As a struggling young writer, Zola supported himself as a clerk. Legend has it he sometimes resorted to trapping birds on his windowsill in order to eat. Zola also moonlighted as a political reporter and critic. He was fired from a publishing house after an early autobiographical novel created notoriety. His breakthrough novel was Therese Raquin (1867). By the time his book L’Assammoir (“The Drunkard,” 1878) appeared, Zola was France’s most famous writer, yet he was barred his entire life from the Academy. His book Germinal (1885), about conditions in a coal mine leading to a strike, was denounced by the rightwing. Nana (1880) examined sexual exploitation.

Zola’s most enduring work is his open letter “J’Accuse,” about the Dreyfus case. He campaigned with Clemenceau to free the the French Jewish army officer falsely accused of spying. Zola was sentenced to imprisonment for writing “J’Accuse” in 1898, escaping to England until he could safely return after Dreyfus’ name had been cleared. Zola, who was baptized Catholic, was a notable critic of the Roman Catholic Church (and vice versa). The Church particularly condemned his books Lourdes, Rome, and Paris (1894-98). The agnostic was an honorary associate of the British Press Association in England. D. 1902.

“When truth is buried underground it grows, it chokes, it gathers such an explosive force that on the day it bursts out, it blows up everything with it.”

“The truth is on the march, and nothing shall stop it.”

~ Emile Zola, “J’Accuse!” L’Aurore, Jan. 13, 1898

Razzouk Ink (Jerusalem, Israel)

As the sole surviving pilgrimage-tattoo business, Razzouk Ink is a place where ancient artifacts meet contemporary machines and rich history intersects with modern technology.

Just inside the Jaffa Gate in Jerusalem’s Old City, a big sign above a tiny shop reads tattoo with heritage since 1300. For over 700 years the Razzouk family has been tattooing marks of faith. As Coptic Christians who settled in Jerusalem generations ago, the family had learned the craft in Egypt, where the devout wear similar inked inscriptions. Evidence of such tattoos dates back at least as far as the 8th century in Egypt and the 6th century in the Holy Land, where Procopius of Gaza wrote of tattooed Christians bearing designs of crosses and Christ’s name. Early tattoos served as a way for indigenous Christians in the Middle East and Egypt to self-identify. Later, as the faithful came to the Holy Land on pilgrimage, the practice expanded to offer these travelers permanent evidence of their devotion and peregrination.

Razzouk Ink’s stone walls and exposed beams lend antique character to the space. A museum-like case holds heirlooms, and an exhibition of pictures on the walls offers glimpses into the family’s past.

Pilgrims’ accounts dating to the late 16th century show how purveyors such as the Razzouks must have tattooed back then, with sewing needles bound to the end of a wooden handle.

InSight Detects Two Quakes

NASA’s InSight lander has detected two strong, clear quakes originating in a location of Mars called Cerberus Fossae—the same place where two strong quakes were seen earlier in the mission. The new quakes have magnitudes of 3.3 and 3.1; the previous quakes were magnitude 3.6 and 3.5. InSight has recorded over 500 quakes to date, but because of their clear signals, these are four of the best quake records for probing the interior of the planet.

Studying marsquakes is one way the InSight science team seeks to develop a better understanding of Mars’ mantle and core. The planet doesn’t have tectonic plates like Earth, but it does have volcanically active regions that can cause rumbles. The March 7 and March 18 quakes add weight to the idea that Cerberus Fossae is a center of seismic activity.

“Over the course of the mission, we’ve seen two different types of marsquakes: one that is more ‘Moon-like’ and the other, more ‘Earth-like,'” said Taichi Kawamura of France’s Institut de Physique du Globe de Paris, which helped provide InSight’s seismometer and distributes its data along with the Swiss research university ETH Zurich. Earthquake waves travel more directly through the planet, while those of moonquakes tend to be very scattered; marsquakes fall somewhere in between. “Interestingly,” Kawamura continued, “all four of these larger quakes, which come from Cerberus Fossae, are ‘Earth-like.'”

The new quakes have something else in common with InSight’s previous top seismic events, which occurred almost a full Martian year (two Earth years) ago: They occurred in the Martian northern summer. Scientists had predicted this would again be an ideal time to listen for quakes because winds would become calmer. The seismometer, called the Seismic Experiment for Interior Structure (SEIS), is sensitive enough that, even while it is covered by a dome-shaped shield to block it from wind and keep it from getting too cold, wind still causes enough vibration to obscure some marsquakes. During the past northern winter season, InSight couldn’t detect any quakes at all.

“It’s wonderful to once again observe marsquakes after a long period of recording wind noise,” said John Clinton, a seismologist who leads InSight’s Marsquake Service at ETH Zurich. “One Martian year on, we are now much faster at characterizing seismic activity on the Red Planet.”

Sources: Phys.org

How to Tie Tzitzit

How to Tie Tzitzit

1. Before you try tying tzitzit to your tallit, it is advisable to practice with twine or heavy string looped around a chair leg.

2. Although you can spin or devise your own tzitzit strands, it is easier to buy a tzitzit pack, which is available at most Hebrew bookstores.

3. There will be 16 strands in the pack–4 long ones and 12 short ones. Separate these into four groups with one long and three short in each.

4. The longer strand is called the shamash [or helper] and is the one used for the winding.

5. Even up the four strands at one end and push the group through one of the corner holes in the tallit.

6. Even up seven of the eight strands (the four being doubled) and leave the extra length of the shamash hanging to one side.

7. With four strands in one hand and the other four in the other hand, make a double knot near the edge of the material. Take the shamash and wind it around the other seven strands in a spiral–seven turns. Be sure you end the winding where you began–otherwise you may end up with 7 1/2 or 6 1/2 winds. Make another double knot at this point (four over four).

8. Spiral the shamash eight times around. Double knot. Spiral the shamash 11 times around. Double knot. Spiral the shamash 13 times around. Final double knot.

This is the common, and halakhically [according to Jewish law] precise type of tying. There are, however, two variations on this:

1.  A Sephardic tying adds another dimension to the pattern: each time the shamash is brought around, take it under the previous wind before winding it further. This will produce a curving ridge around the tzitzit. This, too, should be practiced before trying it on the tallit.

2. Although not in strict accordance with the halakhah, some tie the tzitzit with the shamash spiraling 10-5-6-5 times respectively.

Sources: Essential Judaism, myjewishlearning.com

Tzitzit

Tzitzit (tseet-tseet or TSIT-sis) are the strings, or fringes, tied to each of the four corners of a tallit, or prayer shawl. They are widely considered a reminder, not unlike a string around one’s finger, to think of God at all times.

Tzitzit fulfill the following commandment in Numbers 37, in the Torah portion called Parshat Shlah:

Speak to the Israelite people and instruct them to make for themselves fringes on the corners of their garments throughout the ages; let them attach a cord of blue to the fringe at each corner. That shall be your fringe; look at it and recall all the commandments of the LORD and observe them, so that you do not follow your heart and eyes in your lustful urge. Thus you shall be reminded to observe all My commandments and to be holy to your God.

The commandment to wear tzitzit is repeated in the V’ahavta section of the Shema prayer.

While traditional Jewish law says one must have these tzitzit on every four-cornered garment one wears, today most clothing doesn’t have corners. Instead, the tzitzit are on the prayer shawl and on a special small tallit , called a tallit katan, that some traditional Jews wear under their clothes. Some traditional Jews let the tzitzit from their tallit katan hang out, while others tuck them in.

The tzitzit are attached to the corners and knotted according to a specific pattern.

To learn how to tie tzitzit:

Ubuntu

An anthropologist showed a game to the children of an African tribe:

He placed a basket of delicious fruits near a tree trunk and told them: The first child to reach the tree will get the basket.

When he gave them the start signal, he was surprised that they were walking together, holding hands until they reached the tree and shared the fruit!

When he asked them why you did that when every one of you could get the basket only for him!

They answered with astonishment: Ubuntu.

“That is, how can one of us be happy while the rest are miserable?”

Ubuntu in their civilization means: (I am because we are).

That tribe knows the secret of happiness that has been lost in all societies that transcend them and which consider themselves civilized societies.